Jazz, Tap and other art forms of the street have become classic because of either enthusiasts, mass media attention or historians. The UNDERGROUND DANCE MASTERS that we are talking about here, were never seen by a large part of society let alone any of the mass media. This collection of music entitled "O.G. Funk: Underground Dance Masters Music Series - Locking Volumes 1& 2" is from the feature documentary UNDERGROUND DANCE MASTERS: FINAL HISTORY OF A FORGOTTEN ERA". The new film takes you on a journey through this underground life style when a special group of artists created art, not on canvas nor recordings but in unique dances, one could call it Physical Graffiti. Using their individual dance styles (as gunslingers used their pistols) to dominate others, get respect and build self pride solely through the art of dance.
It was the November of 1976 in Fresno CA that lived another group who called themselves the Electronic Boogaloo Lockers. This group was made up of Darnell "Twist-o Don" McDowel, Tick'n Will Green (both the creators of Popping), Boogaloo Sam Solomon, Tidal Wave Skeet, (robot dancers) Slim and Slide. The creations from Twist-o Don and Tick'n Will mixed an already existing Funk Boogaloo would be the thing that would influence the world of urban dance and become known as Popping. It was in the Long Beach version of the group (1978) that the group was renamed Electric Boogaloo.
All The Other Dancers: Underground Dance Masters: History Of A Forgotten Era is the property of Clockman Vision Productions ©1996-2007 GO TO HOME PAGE / Proudly Hosted by ForSite Web Services, Inc.
The following exerts are taken from the book
"Underground Dance Masters: History Of A Forgotten Era" ©2007
written by: Thomas Guzman-Sanchez
The music that inspired these dances is what is encompassed in this collection. This music is the deepest and the hardest grooves on the streets of that time and it was simply called the O.G. Funk. Later it was also known as old school (the real old school and not what's become old school). The film is a 2 hour and 25 minute production that covers a 20 year span of an unwritten history from 1970 to 1985. The music queues used in the film have been broken up into eight volumes based on the style of dance that is appropriate to each track.
Two of those are Locking Volumes 1 & 2 that features the music that inspired Don "Campbellock" Campbell from Los Angeles, CA to create Campbellocking in 1970 and inspired the dance group Chain Reaction from Reseda, CA to create and reinterpret Locking in 1974 establishing the way the dance is done today. The film is now for sale on VHS. The film is made up of archival footage that creates an unshakable timeline. These liner notes are from the book "Underground Dance Masters: History Of A Forgotten Era" and it gives a first time look at this part of American Pop Urban History. Telling about a very special group of Latino, Black and White individuals who are the true masters of the Urban Dance forms called Locking and Popping that has become the basis of what is called hip-hop dance today.
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Don "Campbellock" Campbell (featured here on the cover of Locking Vol. 1) had many others dancers that were attracted to his energy and his dance. Those people, inspired by Campbellock created movement that became known as a LOCK. This move would eventually become the center piece and a key part of Campbellocking.
Leo "Fluky Luke" Williamson (Original member of the Campbellock Dancers, 1973 - shown above in the middle left photo, standing on the lower left side) would influence Campbellocking with his move originally called the IRON HORSE and renamed the Which-A-Way. With his agility and crisp movements his interpretation of Don's dance would go on to inspire many. It was his intense energy and extreme perfection that took the dance to new levels.
Alpha Omega Anderson (a member of the second incarnation of the Lockers, not shown) was one of those people. He created a move out of trying to do continuos Russian squat kicks. Every time he would try this move he would fall backward onto his hands. His brother called attention to this accidental movement. He would continue developing it and this move (originally known as an Oil Well) is what is known today as an Alpha.
In late 1970 another dancer named Tony "Go-Go" Lewis (a member of the Lockers in 1977 - shown above in the middle left photo standing on the lower right side), along with partner Edwin Lombard (originally from LA) were making up steps that they could do in unison, because the Lockers didn't do unison steps yet. They would create a combination of hopping and shuffling steps that would take on the nickname of one member of his group (the GO-GO Brothers) named James "Skeeter" Higgens (originally from LA). Skeeter did this move very jerky and hyper so they called it "Skeeter Rabbit". There are many variations of Skeeters done today, but when they came up with the move at Tony "Go-Go's" home in LA they had no idea that their step would become synonymous with Locking.
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When Chain Reaction (Established in 1974 and featured above on the front cover of Locking Vol. 2 - front to back Cool Pockets, Deuce, T-Bopper & Bosco. ) took this dance and reinvented it, they took that energy of the improvisational approach that was established by Campbellock and did a new interpretation.
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(Above) T-Bopper Chain Reaction 1975
Thomas "T-Bopper" Guzman-Sanchez based his style on a cross formation where everything had to be clean movement. As the group developed, it was the unison routines and this clean Doubled Up style of Locking that set them apart. He also changed the terminology and in 1974 introduced the word BREAK to describe the dance move originally called a LOCK. This word eventually evolved to be used as a descriptive word for the "act of dancing."
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(Above) "Cool Pockets" Chain Reaction 1975
Paul "Cool Pockets" Guzman-Sanchez would take the Doubled Up Locking style to new levels with multi directional points and Bob "Bosco" Winters developed an off time syncopated style that made him absolutely unique. Together with Mike "Deuce" Donley made Chain Reaction a complete and unbeatable entity. The group created special unison choreography that did not exist before. This would change the way the dance would be performed forever.
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This Long Beach group (shown on the cover of Popping Vol. 1) featured Boogaloo Sam Solomon, Tim "Popin Pete" Solomon, Creep'n Sid, Puppet Boozer, Robot Dane and Scarecrow Scally.
In 1978 the Chain Reaction heard about this dance but had never seen it began to create their form of Popping called Zig Zaging.
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(In order from left to right) Thomas "T-Bopper" Guzman-Sanchez, Bob "Boscoe" Winters, Paul "Cool Pockets" Guzman-Sanchez, Mike "Deuce" Donley (featured above on the cover of Popping Vol. 2 ). Their group was featured in the film XANADU making them the first group to Pop and Boogaloo in a major motion picture. In 1979 Cool Pockets was featured in the Rod Stewart "Young Turks" Video which was also the first time this dance had been in a Rock Video or shown on MTV.
Note: Kyle "Buzzy K" Hannaford(1954-1998) is shown above on the top left hand photo on Popping Vol. 1.
There were many more dancers that were both key and on the peripheral of the underground URBAN DANCE scene. All of these dancers and dance groups have helped to perpetuate this dance into the future. But everything has to have a true beginning or an initial spark. The goal of this definitive study has been to find that initial spark. The point where everything turned left and started a whole new focus of energy.
Like a WATERFALL: we know where the water is coming from, but which was the first stone hit on the way down. Then in what order and with what effect did it hit the following stones. Because street history is something passed down by word of mouth, this is how Myths, Lies and Legends are created. Now that this study on that part of American Urban Pop history has been accomplished, these misunderstandings will be no more. Now, the knowledge is available. Through knowledge is power and you now have the power of that knowledge.